Nancy Zwiers was genuinely psyched to see “Lincoln,” but something happened between the ticket purchase and the credits. Off screen, that is.
“Yes, I fell asleep,” confessed the 54-year-old marketing executive in Long Beach, Calif. “I only have two clear memories of the movie: a bunch of old white guys sitting around talking and Sally Field in a perpetual state of angst.”
That was shortly after its release in October. Fast forward to January and a dozen Academy Award nominations for the 150-minute epic and another accolade has emerged: nap worthy, with and without apologies from the snoozy to Steven Spielberg and Daniel Day-Lewis.
Movie napping is almost certainly as old as cinema itself. It strikes the overtired and the well-rested, film nuts and occasional theatergoers. Some blame it on soporific popcorn. Others on the enveloping darkness and a comfy seat. The theater is too hot. The theater is too cold, too crowded, not crowded enough ...
Any which way, cinematic snoozing seems near epidemic proportions this awards season with buzz plus ZZZs for “Lincoln,” the 157-minute sung “Les Miserables,” the 169-minute “The Hobbit: An Unexpected Adventure” and others cited as good for a snore, but not always due to extra minutes.
Forget the theory that movie watchers of a certain age are more heavily afflicted.
“I don’t realize I do it and I wake up 20 minutes later and then everyone’s, like, ‘you were asleep,’” said Rose Liu, 31, a program manager for a Los Angeles nonprofit. “I snore and then it’s embarrassing, but I really can’t control it. I wake up and I’m re-energized!”
Liu has movie dozed on dates and out with friends, some of whom have nudged her awake at the request of strangers sitting nearby.
She, too, was done-in by “Lincoln.” She’s not a fan, but she also caught some shuteye during the two-hour “Argo,” which she liked. A power napper in regular life and a moviegoer about once a month, Liu acknowledged it would make sense to avoid late screenings, but that’s usually not possible.